Publications tagged: Taras Koznarsky

Order by:    date    name

Associate Professor at the University of Toronto Taras Koznarsky"“The Caucasus” is remarkably complex in its shifting rhythms and emotional registers. Moving from intimate, lyrical rumination, to grievances against divine and political authority, it employs biting political sarcasm and elevated prophetic ardor. The opening passage evokes the image of the mythical rebel Prometheus, eternally suffering at the claws of a ruler-sent eagle, yet indestructible in his vitality—a symbol of the undying pursuit of goodness, liberty, and humanity. In the sections that follow, the poet turns to the horrors of war and oppression and challenges both God and the world order. Mimicking the “superior” voice of the colonizer, Shevchenko exposes the brutality, avarice, and hypocrisy of Russian imperialism..." (Taras Koznarsky)

 

Taras Shevchenko. St. Sebastian. Sepia and white. 1856  (Тарас Шевченко. Св. Себастіян. Сепія, білило. 1856).Taras Shevchenko, "The Caucasus​​"
"Kavkaz" / "Za goramy` gory`, hmaroyu povy`ti...
("Кавказ" / "За горами гори, хмарою повиті...")
Pereyaslav, November 18, 1845.

Translated by Alyssa Dinega Gillespie.